LEE MORGAN

An all-around master of his instrument modeled after Clifford Brown, Morgan boasted an effortless, virtuosic technique and a full, supple, muscular tone that was just as powerful in the high…

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CHARLES LLOYD

“Mr. Lloyd has come up with a strange and beautiful distillation of the American experience, part abandoned and wild, part immensely controlled and sophisticated.” – The New York Times“Lloyd is one of…

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JIMMY SMITH

JIMMY SMITH Biography “You can bet your bottom collar, you will never hear me holler. However, I will make an exception and holler loudly, ”Thanks.’ I appreciate your recognition of…

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ARTHUR PRYSOCK

ARTHUR PRYSOCK In the early 1950s, many Americans thought that Arthur Prysock’s soothing baritone might match Billy Eckstine’s in popularity, but the rock’n’roll era effectively crushed both careers. Despite many…

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SUMI TONOOKA

The technically brilliant trio opened with the evergreen “Hear A Rhapsody”, before the gutsy and sensitive Sumi Tonooka dug into the keys, presenting two spell-binding original compositions: the ballad-like “Shadow…

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